Your brightest highlight will always be along the outside edge of the scale, and usually along the top, unless the scales are on the bottom or undersides of the creature. ![]() ![]() After that, I take my mid-tone, thin it down a bit, and paint about two thirds of each scale (again, depending on how much light is hitting it and from which direction), then do a second layer of that color over about half of it before moving on to the highlights. Personally, I usually start out by basecoating the figure a slightly darker color than I want the mid-tone to be, then wash it heavily with a very dark shadow color (optionally taking the time to line all the scales if I'm painting for display rather than tabletop). (When drawing two-dimensional images - especially when such details are too small to be accurately illustrated - rather than actually drawing each individual scale/chainmail link/other small repetitive detail on something it's often just done using a pattern of alternating black, grey and white dots to represent the highlights and shadows, using the contrast between them to define the shapes of the objects.) ![]() One thing to remember, when doing small stuff like scales or chainmail, is to pay close attention to how the light is hitting each individual object - the placement of the highlights and shadows is what really makes it "pop".
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